The Firebird (French: L'Oiseau de feu; Russian: Жар-птица, romanized: Zhar-ptitsa) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1910 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Michel Fokine, who collaborated with Alexandre Benois and others on a scenario based on the Russian fairy tales of the Firebird and the blessing and curse it possesses for its owner. It was first performed at the Opéra de Paris on 25 June 1910 and was an immediate success, catapulting Stravinsky to international fame and leading to future Diaghilev–Stravinsky collaborations including Petrushka (1911) and The Rite of Spring (1913).
The Firebird's mortal and supernatural elements are distinguished with a system of leitmotifs placed in the harmony dubbed "leit-harmony". Stravinsky intentionally used many specialist techniques in the orchestra, including ponticello, col legno, flautando, glissando, and flutter-tonguing. Set in the evil immortal Koschei's castle, the ballet follows Prince Ivan, who battles Koschei with the help of the magical Firebird. (Full article...)
In the early days of sound cinema, among the various distinguished composers ready to try their hand at film music, Prokofiev was not an obvious choice for the commission. Based in Paris for almost a decade, he had a reputation for experimentation and dissonance, characteristics at odds with the cultural norms of the Soviet Union. By early 1933, however, Prokofiev was anxious to return to his homeland, and saw the film commission as an opportunity to write music in a more popular and accessible style. (Full article...)
Image 3
The Shuttle–Mir program (Russian: Программа «Мир»–«Шаттл») was a collaborative space program between Russia and the United States that involved American Space Shuttles visiting the Russian space stationMir, Russian cosmonauts flying on the Shuttle, and an American astronaut flying aboard a Soyuz spacecraft to allow American astronauts to engage in long-duration expeditions aboard Mir.
The project, sometimes called "Phase One", was intended to allow the United States to learn from Russian experience with long-duration spaceflight and to foster a spirit of cooperation between the two nations and their space agencies, the National Aeronautics and Space Administration (NASA) and the Russian Space Agency (PKA). The project helped to prepare the way for further cooperative space ventures; specifically, "Phase Two" of the joint project, the construction of the International Space Station (ISS). The program was announced in 1993, the first mission started in 1994 and the project continued until its scheduled completion in 1998. Eleven Space Shuttle missions, a joint Soyuz flight and almost 1,000 cumulative days in space for American astronauts occurred over the course of seven long-duration expeditions. In addition to Space Shuttle launches to Mir the United States also fully funded and equipped with scientific equipment the Spektr module (launched in 1995) and the Priroda module (launched in 1996), making them de facto U.S. modules during the duration of the Shuttle-Mir program. (Full article...)
Image 4
Nikita Zotov, rotogravure by Alexandr Osipov, 1882–1883
Not much is known about Zotov's life aside from his connection to Peter. Zotov left Moscow for a diplomatic mission to Crimea in 1680 and returned to Moscow before 1683. He became part of the "Jolly Company", a group of several dozen of Peter's friends that eventually became The All-Joking, All-Drunken Synod of Fools and Jesters. Zotov was mockingly appointed "Prince-Pope" of the Synod, and regularly led them in games and celebrations. He accompanied Peter on many important occasions, such as the Azov campaigns and the torture of the Streltsy after their uprising. Zotov held a number of state posts, including from 1701 a leading position in the Tsar's personal secretariat. Three years before his death, Zotov married a woman 50 years his junior. He died in December 1717 of unknown causes. (Full article...)
The sculpture depicts a female personification of Russia, commonly referred to as Mother Russia. She wears a windswept shawl resembling wings, and holds a sword aloft in her right hand. Her left hand is extended outward, as she calls upon the Soviet people to battle. The statue was originally planned to be made of granite and to stand only 30 metres (98 ft) tall, with a design consisting of a Red Army soldier genuflecting and placing a sword before Mother Russia holding a folded banner. However, the design was changed in 1961 to be a large concrete structure at nearly double the height, a decision that was subject to criticism from Soviet military officials and writers. It was inspired by the Winged Victory of Samothrace, an ancient Greek sculpture of the goddess of victory, Nike. (Full article...)
The ship was torpedoed during the Japanese surprise attack on Port Arthur during the night of 8/9 February 1904 and grounded in the harbour entrance when she attempted to take refuge inside, as her draft had significantly deepened from the amount of water she had taken aboard after the torpedo hit. She was refloated and repaired in time to join the rest of the 1st Pacific Squadron when they attempted to reach Vladivostok through the Japanese blockade on 10 August. The Japanese battle fleet engaged them again in the Battle of the Yellow Sea, forcing most of the Russian ships to return to Port Arthur after their squadron commander was killed and his flagship damaged. Retvizan was sunk by Japanese howitzers in December after the Japanese gained control of the heights around the harbour. (Full article...)
Peresvet and Pobeda were salvaged after the Japanese captured Port Arthur and incorporated into the Imperial Japanese Navy. Peresvet was sold back to the Russians during World War I, as the two countries were by now allies, and sank after hitting German mines in the Mediterranean in early 1917 while Pobeda, renamed Suwo, remained instead in Japanese service and participated in the Battle of Tsingtao in late 1914. She became a gunnery training ship in 1917. The ship was disarmed in 1922 to comply with the terms of the Washington Naval Treaty and probably scrapped around that time. (Full article...)
Viatkogorgon is a genus of gorgonopsian (a type of therapsid, the group that includes modern mammals) that lived during the Permian period in what is now Russia. The first fossil was found at the Kotelnich locality near the Vyatka River and was made the holotype of the new genus and speciesV. ivachnenkoi in 1999. The generic name refers to the river and the related genus Gorgonops—the gorgons of Greek mythology are often referenced in the names of the group. The specific name honors the paleontologist Mikhail F. Ivakhnenko. The holotype skeleton is one of the most complete gorgonopsian specimens known and includes rarely preserved elements such as gastralia (abdominal ribs) and a sclerotic ring (a bony ring inside the eye). A larger, but poorly preserved specimen has also been assigned to the species.
The holotype specimen is about 80 cm (31 in) long, including the 14 cm (5.5 in) long skull, making Viatkogorgon a relatively small gorgonopsian. The assigned specimen is larger, with a 17 cm (6.7 in) long skull, and the holotype may have been young. As a gorgonopsian, it would have been skeletally robust with a somewhat dog-like stance, though with outwards-turned elbows. The snout was high, and the teeth were generally recurved (curved backward), pointed, and serrated. The canines (the saber teeth) were much larger than the incisors at the front and postcanines behind but relatively small for a gorgonopsian. Viatkogorgon was characterized by its unusually large eye socket and sclerotic ring. It was distinct from other gorgonopsians in that the lower end of the postorbital bar was narrow, and it had a very large sulcus (or furrow) at the back of the skull on each side. Since gorgonopsians have been described mainly from skulls, it is uncertain how widespread the postcranial features of Viatkogorgon were in other members of the group. The skeleton of Viatkogorgon was unusual in having gastralia, in that the tail was differentiated with a front and hind part, with the former less flexible, and in that some of the foot bones and its digits were reduced in size and interconnected. (Full article...)
Image 11
A Soviet postage stamp from 1959. The stamp celebrates growth in the chemical industry. During the Khrushchev era, especially from 1956 through 1962, the Soviet Union attempted to implement major wage reforms intended to move Soviet industrial workers away from the mindset of overfulfilling quotas that had characterised the Soviet economy during the preceding Stalinist period and toward a more efficient financial incentive.
Throughout the Stalinist period, most Soviet workers had been paid for their work based on a piece-rate system. Thus their individual wages were directly tied to the amount of work they produced. This policy was intended to encourage workers to toil and therefore increase production as much as possible. The piece-rate system led to the growth of bureaucracy and contributed to significant inefficiencies in Soviet industry. In addition, factory managers frequently manipulated the personal production quotas given to workers to prevent workers' wages from falling too low. (Full article...)
Pyotr Ilyich Tchaikovsky's relations with the group of composers known as the Belyayev circle, which lasted from 1887 until Tchaikovsky's death in 1893, influenced all of their music and briefly helped shape the next generation of Russian composers. This group was named after timber merchant Mitrofan Belyayev, an amateur musician who became an influential music patron and publisher after he had taken an interest in Alexander Glazunov's work. By 1887, Tchaikovsky was firmly established as one of the leading composers in Russia. A favorite of Tsar Alexander III, he was widely regarded as a national treasure. He was in demand as a guest conductor in Russia and Western Europe, and in 1890 visited the United States in the same capacity. By contrast, the fortunes of the nationalistic group of composers known as The Five, which preceded the Belyayev circle, had waned, and the group had long since dispersed; of its members, only Nikolai Rimsky-Korsakov remained fully active as a composer. Now a professor of musical composition and orchestration at the Saint Petersburg Conservatory, Rimsky-Korsakov had become a firm believer in the Western-based compositional training that had been once frowned upon by the group.
As a result of the time Tchaikovsky spent with the Belyayev circle's leading composers—Glazunov, Anatoly Lyadov and Rimsky-Korsakov—the somewhat fraught relationship he had previously endured with The Five would eventually meld into something more harmonious. Tchaikovsky's friendship with these men gave him increased confidence in his own abilities as a composer, while his music encouraged Glazunov to broaden his artistic outlook past the nationalist agenda and to compose along more universal themes. This influence grew to the point that Glazunov's Third Symphony became known as the "anti-kuchist" symphony of his oeuvre ("kuchist" refers to "kuchka", the shortened Russian name for The Five) and shared several stylistic fingerprints with Tchaikovsky's later symphonies. Nor was Glazunov the only composer so influenced. Rimsky-Korsakov wrote about the Belyayev composers' "worship of Tchaikovsky and ... tendency toward eclecticism" that became prevalent during this period, along with a predilection toward "Italian-French music of the time of wig and farthingale" (that is, of the 18th Century) typified in Tchaikovsky's late operas The Queen of Spades and Iolanta. (Full article...)
The terrain complicated battle tactics for both sides, but the Russians and the Austrians, having arrived in the area first, were able to overcome many of its difficulties by strengthening a causeway between two small ponds. They had also devised a solution to Frederick's deadly modus operandi, the oblique order. Although Frederick's troops initially gained the upper hand in the battle, his limited scouting, combined with the strong defensive preparations of the Allied troops, gave the Russians and Austrians an advantage. By afternoon, when the combatants were exhausted, fresh Austrian troops thrown into the fray secured the Allied victory. (Full article...)
Image 14
The Norslunda Runestone, bearing runic inscription U 419, which mentions the personal name Kylfingr The Kylfings (Old NorseKylfingar; EstonianKalevid; HungarianKölpények; Old East Slavic Колбяги, Kolbiagi; Byzantine Greek Κουλπίγγοι, Koulpingoi; Arabical-Kilabiyya) were a people of uncertain origin active in Northern Europe during the Viking Age, roughly from the late ninth century to the early twelfth century. They could be found in areas of Lapland, Russia, and the Byzantine Empire that were frequented by Scandinavian traders, raiders and mercenaries. Scholars differ on whether the Kylfings were ethnically Finnic or Norse. Also disputed is their geographic origin, with Denmark, Sweden and the Eastern Baltic all put forward as candidates. Whether the name Kylfing denotes a particular tribal, socio-political, or economic grouping is also a matter of much debate.
Charles Minard's Carte figurative (1869), which details the losses of men, the position of the army, and the freezing temperatures on Napoleon's disastrous 1812 invasion of Russia. Created in an effort to show the horrors of war, the graph "defies the pen of the historian in its brutal eloquence" and has been called the best statistical graphic ever drawn.
A late nineteenth-century photochrom of a reindeer sled, Arkhangelsk, Russia. Reindeer have been herded for centuries by several Arctic and Subarctic people including the Sami and the Nenets. They are raised for their meat, hides, antlers and, to a lesser extent, for milk and transportation.
Although James Clerk Maxwell made the first color photograph in 1861, the results were far from realistic until Prokudin-Gorsky perfected the technique with a series of improvements around 1905. His process used a camera that took a series of monochrome pictures in rapid sequence, each through a different colored filter. Prokudin-Gorskii then went on to document much of the country of Russia, travelling by train in a specially equipped darkroomrailroad car.
Ivan Goremykin (1839–1917) was a Russian prime minister during World War I. A politician with archconservative views, after some time in the Ministry of Justice, he transferred to the Ministry of the Interior in 1891. He held the rank of prime minister from May to July 1906 and again from 1914 to 1916; during both terms his effectiveness was strongly limited by opposition from the State Duma. In the aftermath of the October Revolution, Goremykin was recognized as a member of the Tsarist government and killed by a street mob.
Lenin, a Soviet nuclear-powered icebreaker, was both the world's first nuclear-powered surface ship and the first nuclear-powered civilian vessel. The ship entered operation in 1959 and worked to clear sea routes for cargo ships along Russia's northern coast. Nuclear power proved to be an ideal technology for a vessel working in such a remote area, as it obviated the need for regular replenishment of fuel. From 1960 to 1965, the ship covered over 85,000 mi (137,000 km) during the Arctic navigation season, of which three-quarters was through ice. After being decommissioned in 1989, the vessel was subsequently converted into a museum ship and is now permanently based at Murmansk.
This photo of the Nilov Monastery on Stolobny Island in Tver Oblast, Russia, was taken by Sergey Prokudin-Gorsky in 1910 before the advent of colour photography. His process used a camera that took a series of monochrome pictures in rapid sequence, each through a different coloured filter. By projecting all three monochrome pictures using correctly coloured light, it was possible to reconstruct the original colour scene.
An Alaskan parchment scrip banknote in the denomination of 1 ruble, printed on vellum or parchment by the Russian-American Company. On the obverse, the horizontal text immediately beneath the double-headed eagle reads "Seal of the Russian American Company". The oval text reads "under august protection of His Imperial Majesty", and under the oval is the value of the note "one ruble".
Alaskan parchment scrip was used as a form of company scrip in Alaska when it was a possession of the Russian Empire. In circulation from 1816 to 1867, such scrip could be printed on vellum, parchment, or pinniped skin. Denominations of 10, 25, 50 kopecks and 1, 5, 10, and 25 rubles were issued.
Saint Michael's Castle is a former royal residence in the historic centre of Saint Petersburg, Russia. It was built for Emperor Paul I between 1797 and 1801, and named after Saint Michael, the patron saint of the royal family. Constructed like a castle around a small octagonal courtyard, the four facades were built in different architectural styles, including French Classicism, Italian Renaissance and Gothic. The emperor was assassinated in the castle forty days after taking up residence. After his death, the imperial family returned to the Winter Palace and the building was transferred to the Russian Army's Main Engineering School. In 1990, it became a branch of the Russian Museum, and now houses its portrait gallery.
Alexis (1629–1676) was the tsar of Russia from 1645 until his death. Born in Moscow on 29 March 1629, the son of Tsar Michael and Eudoxia Streshneva, the sixteen-year-old Alexis acceded to the throne after his father's death. Boris Morozov, a shrewd boyar open to Western ideas, took charge of Russia in the early years of Alexis's reign, but was exiled from Moscow following a popular uprising. Alexis responded to the uprising with a new legal code. His reign saw wars with Poland and with Sweden, a schism in the Russian Orthodox Church, and the major Cossack revolt of Stenka Razin. Alexis was married twice and had sixteen children, including tsars Fyodor III; Ivan V; Peter the Great; and Sofia, who ruled as regent for her brothers from 1682 to 1689.
This oil painting, made by an unknown artist in the 1670s, is now located in a museum in Ptuj, Slovenia.
Leo Tolstoy (1828–1910) was a Russian writer who is regarded as one of the world's greatest novelists. He is best known for War and Peace (1869) and Anna Karenina (1877), often cited as pinnacles of realist fiction. Born to an aristocratic family on 9 September [O.S. 28 August] 1828, Tolstoy was orphaned when he was young. He studied at Kazan University, but this was not a success, and he left university without completing his degree. During this time, he began to write and published his first novel, Childhood, in 1852. Tolstoy later served at the Siege of Sevastopol during the Crimean War, and was appalled by the number of deaths and left at the conclusion of the war. He spent the remainder of his life writing whilst also marrying and starting a family. In the 1870s he converted to a form of fervent Christian anarchism.
A painting depicting Ivan Tsarevich, one of the main heroes of Russian folklore, riding a magic carpet after having captured the Firebird, which he keeps in a cage. This work was Viktor Vasnetsov's first attempt at illustrating Russian folk tales and inaugurated a famous series of paintings on the themes drawn from Russian folklore.
An aerial view of the Field of Mars, a large park in central Saint Petersburg, Russia, pictured in 2016. It is named after Mars, the Roman god of war. The park's history goes back to the 18th century, when it was converted from bogland and named the Grand Meadow. Later, it was the setting for celebrations to mark Russia's victory over Sweden in the Great Northern War. Its next name, the Tsaritsyn Meadow, appears after the royal family commissioned Francesco Bartolomeo Rastrelli to build the Summer Palace for Empress Elizabeth. It became the Field of Mars during the reign of Paul I. Towards the end of the 18th century, the park became a military drill ground, where they erected monuments commemorating the victories of the Russian Army and where parades and military exercises took place regularly. After the February Revolution in 1917, the Field of Mars became a memorial area for the revolution's honoured dead. In the summer of 1942, as the city was besieged by the German army in the Siege of Leningrad, the park was covered with vegetable gardens to supply food. An eternal flame was lit in the centre of the park in 1957, in memory of the victims of various wars and revolutions.
A female Siberian tiger (Panthera tigris altaica), a subspecies of tiger native to Central Asia, and her cub. The Siberian tiger is the largest of the extant tiger subspecies as well as the largest felid, attaining 320 kg (710 lb) in an exceptional specimen. Considered an endangered subspecies, the wild population is down to several hundred individuals and is limited to eastern Siberia.
January 25, 1721 - Peter established the Holy Synod, a body of ten clergymen chaired by a secular official, that was to head the Russian Orthodox Church in lieu of the Patriarch of Moscow.
January 28, 1725 - Peter died of urinary problems. He failed to name a successor; one of Peter's closest advisers, Aleksandr Menshikov, convinced the Imperial Guard to declare in favor of Peter's wife Catherine I.
Tula pryanik (Russian: тульский пряник, tulskiy pryanik) is a famous type of imprinted Russianpryanik from the city of Tula. Usually, Tula pryanik looks like a rectangular tile or a flat figure. Making stamped pryanik is considered an art form. The imprints could include different patterns, symbols, images of the Tula Kremlin, names, congratulations.
The cooking of the Tula pryanik starts with preparation of the dough. The dough is made from rye flour, honey, eggs, water and spices. Next the dough is cut into pieces and rolled out. Each piece is placed on a special pryanik board [ru] with a carved pattern to give the dough its intended form. The first layer of the dough is covered with a second one with a filling in between. To make the two layers stay in place the edges are pressed together. Then the cake is turned over so that the stamped image is on top and the surface is glazed with sugar syrup. The syrup covers the picture to make it more visible after baking. Historically, each carved board is used to create just one design for pryanik. A new board is made specifically for each design. In the past, pryanik boards were made by craftsmen and nowadays, new designs are created mostly by professional artists. (Full article...)
Dmitri Dmitriyevich Shostakovich (25 September [O.S. 12 September] 1906 – 9 August 1975) was a Soviet-era Russian composer and pianist who became internationally known after the premiere of his First Symphony in 1926 and thereafter was regarded as a major composer.
We are hurtling back into a Soviet abyss, into an information vacuum that spells death from our own ignorance. All we have left is the internet, where information is still freely available. For the rest, if you want to go on working as a journalist, it's total servility to Putin. Otherwise, it can be death, the bullet, poison, or trial - whatever our special services, Putin's guard dogs, see fit.
This is a list of recognized content, updated weekly by JL-Bot (talk·contribs) (typically on Saturdays). There is no need to edit the list yourself. If an article is missing from the list, make sure it is tagged or categorized (e.g. Category:WikiProject Russia articles) correctly and wait for the next update. See WP:RECOG for configuration options.
.jpg)
.jpg)
![Image 15 Leo Tolstoy Photograph: F. W. Taylor; restoration: Yann Leo Tolstoy (1828–1910) was a Russian writer who is regarded as one of the world's greatest novelists. He is best known for War and Peace (1869) and Anna Karenina (1877), often cited as pinnacles of realist fiction. Born to an aristocratic family on 9 September [O.S. 28 August] 1828, Tolstoy was orphaned when he was young. He studied at Kazan University, but this was not a success, and he left university without completing his degree. During this time, he began to write and published his first novel, Childhood, in 1852. Tolstoy later served at the Siege of Sevastopol during the Crimean War, and was appalled by the number of deaths and left at the conclusion of the war. He spent the remainder of his life writing whilst also marrying and starting a family. In the 1870s he converted to a form of fervent Christian anarchism. More selected pictures](/wiki/File:Leo_Tolstoy_1897,_black_and_white,_37767u.jpg)
.svg){kind=small}
